Study in Iron (2024)
Cold-pressed walnut oil and iron oxide on heavy handmade rag paper, 76 x 56 cm. Floating mount inside an untreated natural oak shadowbox frame with optical museum glass.
Ground Plane II (2023)
Bone pigment, slaked lime, and chalk ground on coarse flax canvas, 95 x 75 cm. Subtle horizontal incisions define physical divisions across the pale fibrous surface.
Monolith No. IV (2024)
Oil and raw earth pigment on hand-stretched Belgian linen, 210 x 165 cm. Frontal compositional field with exposed selvedge edges, muted iron washes, and settled matte sediment layers.
Every canvas is built around the discipline of subtraction, allowing the density of raw unprimed linen and subtle shifts in morning daylight to establish spatial rhythm without artificial ornament.
Julian Rowe, North London
Acquisitions and commissions
Selected original canvases and framed studies remain accessible for private collections, architectural installations, and institutional exhibitions. Viewings and commissions are handled through direct studio correspondence.